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First show and new artwork in 2016

Alex Diamond: Encounter at 4 am (2015)
Multi-layered woodcut, acrylic paint, ca. 150 x 125 x 13 cm (59” x 49” x 12.5”)

„Encounter at 4 am“ is a woodcut built from 6 layers in total, and it‘s the deepest I have created to date. It takes us far into a forest for what appears to be a rather unusual encounter between a hunter and some kind of mythical animal, resembling a man and his responsibilities in life. You could say that there are elements of inner conflict, of patience, hesitation, surprise and tension perceptible in the meeting of the two parties.

This encounter in the depth of the woods takes place in the very early hours, when the day still seems to be full of innocence and opportunity. Being an early bird myself, with my days often starting some time between 4 and 5 in the morning, I appreciate the solitude and tranquility of these moments before the world wakes up for its daily grind. It is a time you truly have to yourself. Thoughts spin slower and with more depth. Energy levels are fully charged but only used ... delicately. Creativity arises, ideas are born, but everything‘s still a bit dreamy in a softly distorted way. It is an excellent time for decision making, albeit in a rather lighthearted and slightly irrational way.

This woodcut will be first shown at the exhibition "PULS'16" at Gallery Wolfsen in Aalborg, opening January 9. (link: more info & Facebook event

The Great Outdoors

Alex Diamond: The Great Outdoors (2015). Three Multi-layered woodcuts, acrylic paint, ink, each ca. 30 x 23 x 7 cm (12” x 9” x 2,7”). © Alex Diamond

A rather lighthearted series of three (individual) woodcuts, “The Great Outdoors” shows my deep respect for nature and wildlife as well as my desire to travel the countryside and enjoy nature’s wonders. Relaxing in in front of a crackling campfire with a few beers, a guitar and my family or my best friends is probably the closest I will ever get to so-called ‘Wellness’-activities. 

These woodcuts are the outlook you have from the edge of a forest. However, these works are not just postcard images. The added warnings, albeit in an aesthetically freely interpreted version, are reminiscent of the various safety information signs in a National Park. Here, they are comments on current social behaviour … which I guess I won’t have to elaborate any further on. I am sure you’ll get the idea. 

More detail images below.

These three works can be seen at "Don't Wake Daddy X". An international Group exhibition, curated bei Heiko Müller & Ralf Krüger, opening December 5 at Feinkunst Krüger Gallery in Hamburg. 

Artists: Van Arno, atak, Anthony Ausgang, Dan Barry, Jana Brike, Chris Buzelli, John Casey, Victor Castillo, Paul Chatem, Brendan Danielsson, Danielle de Picciotto, Alex Diamond, Mark Elliott, Charles Glaubitz, Benjamin Güdel, Thorsten Hasenkamm, Gregory Hergert, Ryan Heshka, Femke Hiemstra, Charlie Immer, Gregory Jacobsen, Boje Arndt Kiesiel, Susanne König, Craig LaRotonda, Elmar Lause, Sean Lewis, Jon MacNair, moki, Sergio Mora, Heiko Müller, Thorsten Passfeld, Anthony Pontius, Bene Rohlmann, Wolfgang Sangmeister, Marcus Schäfer, Allison Sommers, Fred Stonehouse, Marco Wagner.


New Catalogue out now: Selected Works 2014-2015

Available at the heliumcowboy online-store: my new catalogue featuring work from 2014-2015. It is limited to 250 numbered copies, and I'll sign all online orders as well. Click the image to visit the shop.

Available at the heliumcowboy online-store: my new catalogue featuring work from 2014-2015. It is limited to 250 numbered copies, and I'll sign all online orders as well. Click the image to visit the shop.

My new catalogue/book is here, fresh from the printers, featuring my woodcuts and some rare drawings I created over the past 2 years, as well as some personal annotations to a couple of the artworks. This catalogue is 60 color pages strong (300g/m soft cover, 135g/m inside), 21 x 29 cm large, and will be published in a very limited edition only.

There are only 250 hand-numbered copies, and if you wish to secure your edition you can order now through the heliumcowboy online shop. Each copy is 12 € and I will sign all copies purchased online. Visit this link to order now

It has been a while since I last published a book (2011/2012), so it was about time you can get your hands on some printed paper from me. Here's a preview of what you'll get, I hope you like it.

This book is also available at the beautiful Gudberg-Nerger bookstore, at the exhibition "Don't Wake Daddy" at Feinkunst Krüger Gallery and of course at the heliumcowboy showroom.

 

 

The Milkman Of Human Kindness

Alex Diamond: The Milkman Of Human Kindness. Multi-layered woodcut, acrylic paint, resin, 115 x 85 x 9 cm (45” x 33,5” x 3,5”), October 2015

This work, created over a stretch of four weeks in October 2015, is one of my so-called ‘sculptural multi-layered woodcuts’: it is built up from several layers of wood and combines my trademark woodwork & woodcarving craft with specially developed painting and pigmenting techniques as well as the application of semi-translucent resin in some parts. 

“The Milkman Of Human Kindness”, the title of the work, quotes a song by artist Billy Bragg from 1983. During the creation of the work, the song subconsciously crawled back into my head. I listened to it a lot during the punk-driven early 80ies back in school; I wholeheartedly admired Billy Bragg for his straightforward music and his strong political attitude.   

My work however is not about punk. The song (for me at least) has always been about compassion and about being there for someone who is having a bad time. Shakespeare’s Lady Macbeth criticizes her husband for being too compassionate with the words: “Yet do I fear thy nature; It is too full o' the milk of human kindness“, and this expression has since been used as a paraphrase for the care and compassion for others. And taking this (freely) a stepfurther: If there is such a thing as the milk of human kindness, there may as well be a milkman delivering it to your doorstep, right? 

And this is what my work is about. I will not go and explore this in writing too deeply here, because that can easily become an evening-long talk I hope to have with many people personally. While I actually tell a story with every work I create, you may see different angles and aspects in it that I don’t want to take away from you by elaborating on theartwork already too much beforehand. It is important to me as an artist that the viewer has every opportunity to explore my work independently.  

What I will say though is that for me, nature (bear, mountains) and technology (telegraph poles) are an integral part of this piece. There is a huge conflict between the two, mainly in the struggle we’re living to try and find harmony (or balance) between both. While I am not necessarily aiming at the environmental issue here, in my work this struggle is rather a symbol for the larger battles humanity is currently fighting, most presently in the terrible wars that result in people losing their home and having to flee their countries to save their lives and those of their families.  

I have been using the bear many times in my work before. You may say that it has become some kind of spirit animal to me and it definitely has significance as to my role within my own loving and caring family. Which is not the point, really, but may explain the importance of the imagery of the sleeping animal for the understanding of the artwork. 

I hope I haven’t said too much, and didn’t confuse you either. I wish you will enjoy “The Milkman Of Human Kindness” as much as I did creating it. 

 

If you are sleeping, I will wait
If your bed is wet, I will dry your tears

I love you, I am the milkman
Of human kindness
I will leave an extra pint

(Billy Bragg)

Jörg Heikhaus (aka Alex Diamond), October 2015

 

Below are some details from the work, and here you can find images from the work in progress


Work in progress: at the workshop

At work in the shop: carving one layer of the woodcut.

At work in the shop: carving one layer of the woodcut.

Sometimes I manage to document my work process properly while I am creating a new piece. Currently I am making a new and complex, multi-layered woodcut. I am posting progress pictures continuously on my instagram account (@alexxxdiamond) - please feel free to follow me if that is something you might be interested in seeing. 

Some work in progress pictures, to be continued (on instagram):


Paperwork II

For a change I was taking sharp blades to paper instead of wood, my standard medium. As a result, these new little pieces are a combination of papercut and ink drawings. The distance between the front drawing and the spaypainted background creates visual depth that allows for shadows … and whatever is lurking inside of them. 

Alex Diamond: Featherweight Red | Drawing on cut and layered paper
2015, ink and spray paint on Saunders Waterford paper (St. Cuthberts Mill) 300g/m (140lb), 31 x 23 cm (12" x 9")

Alex Diamond: Featherweight Blue | Drawing on cut and layered paper
2015, ink and spray paint on Saunders Waterford paper (St. Cuthberts Mill) 300g/m (140lb), 31 x 23 cm (12" x 9")


Paperwork

Rich paper and black ink and golden acrylic paint, a few detailed works of a smaller kind (31 x 23 cm / 12 x 9 inches), drawn while I was traveling the Atlantic Coast in the west of France this summer. Words from songs that mean something to me, and probably to you, just google the titles, they're not hard to find. 

Alex Diamond: "No More Mr. Nice Guy" (2015), ink and acrylic paint on Saunders Waterford paper (St. Cuthberts Mill) 300g/m (140lb), 31 x 23 cm (12" x 9"). For availability and prices please check with heliumcowboy

Alex Diamond: "If You Were The Baltic Sea And I Were A Cup Uh-Huh" (2015), ink and acrylic paint on Saunders Waterford paper (St. Cuthberts Mill) 300g/m (140lb), 31 x 23 cm (12" x 9"). For availability and prices please check with heliumcowboy

Alex Diamond: "Kiss My Ass, I Bought A Boat, I'm Going Out To Sea" (2015), ink and acrylic paint on Saunders Waterford paper (St. Cuthberts Mill) 300g/m (140lb), 31 x 23 cm (12" x 9"). For availability and prices please check with heliumcowboy

Alex Diamond: "I Was Dreaming Of The Past / And My Heart Was Beating Fast" (2015), ink and acrylic paint on Saunders Waterford paper (St. Cuthberts Mill) 300g/m (140lb), 31 x 23 cm (12" x 9"). For availability and prices please check with heliumcowboy


 

I owe you a love song / for everything I've done wrong

Alex Diamond: I Owe you a love song / For everything I've done wrong (self portrait)
Woodcut, 170 x 130 x 10 cm (67 x 51 x 4 inches), 2015. Wood, acrylic paint, resin.
 

My most recent work: a self portrait, created on the occasion of the Elmar Lause curated group exhibition "Das eigene Ich", which opened May 16 at the new location of the Affenfaust Galerie in Hamburg St. Pauli. 

44 artists were invited to present their (inner) selves in self portraits for this show (complete artist line-up and exhibition information below). 

About the work

This self portrait, created between April 5 and May 9 2015, is a combination of a complex, sculptural woodwork, my trademark woodcutting technique and diverse painting and pigmenting styles. I also used resin in the structure, which not only is a new favorite in my materials palette, but also ads the necessary weight to the piece. The complexity of the work and how it was composed and created over a stretch of four weeks at my studio is an important part of my 'self' within the admittedly unusual portrait. Besides various rather personal narrative elements, followers of my work will not be surprised that there is a double team blowing the clarions, which is also a reference to the 'creation' of the Alex Diamond project over a decade ago.

This work, 170 x 130 x 10 cm large and slightly heavier than your average painting, is titled after a quote (taken out of its original context) from a Mike Patton/Tomahawk composition: 'I owe you a love song / for everything I've done wrong'. This is not necessarily simply an attempted excuse to those who still deserve one (or more) from me, but also a way of understanding the importance of making mistakes and figuring out ways of dealing with them. What could be better than writing a love song whenever you are taking the wrong turn? At the end of the day, when all goes dark, there will be no view. Only music.


  This picture gallery below is a small documentation of the process involved creating the work:

 


'Das eigene Ich'
curated by Elmar Lause
Affenfaust Galerie
Paul-Roosen-Straße 43, Hamburg St.Pauli
www.affenfaust.de

Exhibition from May 16-June 4, 2016
featuring self portraits by these artists: 

ALEX DIAMOND, ANYM, BASE 23, BENE ROHLMANN, BJÖRN HOLZWEG, BOJE ARNDT KIESIEL, CARINA CRENSHAW, COCO BERGHOLM, DANIEL FALLER, DANIEL V. EENDENBURG, DAVE THE CHIMP, ELMAR LAUSE, FABIAN WOLF, FLORIAN BREETZKE, FLYING FÖRTRESS, GOLDEN GREEN, HEIKO MÜLLER, HENNING KLES, JANA SCHUMACHER, JAYBO MONK, JOHAN SCHÄFER, JOHANNES MUNDINGER, JULIA BENZ, JULIAN GORTEN, JÖRN STAHLSCHMIDT, KI YOON KO, MAGDA KRAWCEWICZ, MARC BRONNER, MARCO WAGNER, MARCUS SCHÄFER, NONSKI, MYMO, NICOLAS FRÈMION, NIELS DE JONG, NILS KASISKE, NILS KNOTT, PATRICK FARZAR, PATRICK HENNE, PUSH, ROMAN KLONEK, SUSANNE KÖNIG, SYLVIE RINGER, ULI PFORR, VARIOUS AND GOULD, ZIPPER DIE RAKETE. 

Exhibition view from the group show "Das eigene Ich" at the new location of the Affenfaust Galerie, Hamburg.

Exhibition view from the group show "Das eigene Ich" at the new location of the Affenfaust Galerie, Hamburg.


60 Jahre Kunst in Hamburg

Exhibition view from "60 Jahre Kunst in Hamburg". My woodcut "AHAB!" next to new work by Boris Hoppek and Julia Benz, presented by heliumcowboy.

The galleries Feinkunst Krüger, heliumcowboy, Mikiko Sato, Oel-Früh, Kramer Fine Art, and Affenfaust Galerie stand for the variety of Hamburg's art scene for 60 years - well, if you count all the years together that these places exist in Hamburg. 

On initiative of the Affenfaust Galerie, from June 13 – July 11 these galleries are jointly showing artists from their individual programs at the exhibition "60 Jahre Kunst in Hamburg".

I am part of the exhibited artists of heliumcowboy gallery, who is showing brand new and yet unseen artworks by Boris Hoppek, Julia Benz, Victor Castillo and David Shillinglaw next to my large sized woodcut "AHAB!" (more info and images here). 

Exhibition from: 13.06. – 11.07.2015
Opening hours: Thursday - Friday, 5–9 pm, Saturday & Sunday from 2–6 pm

Location: Affenfaust Galerie, Paul-Rosen-Straße 43, 22767 Hamburg

more information & images


Next stop: SCOPE Art Fair Basel with heliumcowboy

From June 16 - 21 I will be in Basel, showing my woodcuts at the booth of heliumcowboy gallery at the SCOPE Art Fair. heliumcowboy is part of JUXTAPOZ PRESENTS, a curated feature program of selected galleries at the fair. If in Basel, make sure to check out Booth A17 for work by me, Julia Benz and Victor Castillo. 

Obviously I will be personally present at the fair, so if you want to meet at the booth - feel free to get in touch

more: vistor info at scope-art.com

In the press: Alex Diamond for 'Artists for Geberit' | Win exclusive bathroom luxury edition

Feature in german magazine 'Places of Spirit' about my exclusive art edition for the project 'Artists for Geberit'. 

Happy to announce my participation in „Artist for Geberit“, a new project by Geberit and heliumcowboy. You can win my artwork exclusively printed (only once!!!) on the glass surfaces of the Geberit „Monolith“ toilet and washbasin modules - here’s a link to more information and how to take part.

Also I am stoked about the other artists that will be creating work for "Artists for Geberit": Julia Benz & Jeff Soto! Their artwork will follow in July & August (stay tuned).

Below are some images from my designs and the development process as well as some mock-ups with the luxury bathroom elements you can win. 

Images from THE exhibition #PEEK at heliumcowboy

View from the group exhibition #PEEK at heliumcowboy in Hamburg.

View from the group exhibition #PEEK at heliumcowboy in Hamburg.

Images from the exhibition and the vernissage of #PEEK, an international group show taking place at the heliumcowboy gallery until end of May 2015, can be found online here. The show features the amazing talents of ADAMEVA, Julia Benz, Victor Castillo, Jo Fischer, Boris Hoppek, Elmar Lause and David Shillinglaw and should not be missed if you are in Hamburg. Head over to heliumcowboy.com for visiting times and a lot more images from the opening!

Vernissage photos by Tamara Gries



New woodcut: F***, I am talking about my feelings here.

Alex Diamond: Fuck, I am talking about my feelings here. (2015) 
Woodcut, acrylic paint, 50 x 30 x 9 cm

Okay, here's a new angle ... working with type, working with symbols and techniques found in advertising, working with pop related quotes from TV shows ... I'll venture more into this during this year so keep in touch.

Below are some more details of the work, and If you wish to inquire about availability of this woodcut, please check out this link (to heliumcowboy).  


Alex Diamond on Artvergnuegen.com

artvergnuegen.com is a new online gallery that was launched just recently. I am honored to be one of the first artists the curators invited for this project, and you can find a long interview and a video feature alongside some of my artwork for sale (exclusively) on the site

Other artists already on artvergnuegen.de include the likes of Dave the Chimp and Various & Gold, and I have already learned from exciting other names that will be integrated shortly.

artvergnuegen.com

Photos & Video © artvergnuegen.de

In the press: Feature in MB! Magazine & IGNANT

Freshly online: Two features with insights into my studio and my art. Photo by Lukasz Wolejko-Wolejszo

Freshly online: Two features with insights into my studio and my art. Photo by Lukasz Wolejko-Wolejszo

"A prime mover in Hamburg’s art scene, Jörg Heikhaus remains remarkably down-to-earth. We join the artist, gallery owner and dad for a day in his city to find out more about his unusual practice, his mysterious alter ego, Alex Diamond, and the much-loved heliumcowboy exhibition space."

Great feature about me, my life and my art. And a great way to finding out what's up with heliumcowboy. Plus beautiful studio and Hamburg impressions by photographer Lukasz Wolejko-Wolejszo!

Continue reading here: mb! Magazine (by Mercedes Benz) or here: IGNANT

AHAB!

Alex Diamond: "AHAB!", 200 x 180 x 15 cm, acrylic paint and woodcut on wood. Created on location at the Mercedes me Store in Hamburg, December 2014. 

This is a very special work I have created during December last year live on location at the #heliumcowboytakeover of the Mercedes me Store in Hamburg (read all about this very special art project here).

It's a large painting AND woodcut on a very well crafted lightweight wooden box that was built specifically for this project. The box consists of 2 individual pieces that can be displayed together as a stand alone block (measuring 200 x 180 x 30 cm) or individually as separate hanging wall pieces. During the final week of the #heliumcowboytakeover, fellow artist Elmar Lause painted one side while I was working on the other one. Below are images from the process as well as some details of the work.

My piece is called "AHAB!", and yes, that is a Moby Dick reference combined with a warrior theme, roots growing out of a tree leg and a carved Manga style eye on what appears to be a sheep. I am happy to talk about this work with you over a coffee or drink some time. My shrink may have to be present though ;) 

If you are interested in the work, together or individual, please contact me. The box with both artworks is currently displayed at the heliumcowboy artspace, if you are in Hamburg, please arrange for an appointment with the gallery to check it out.