When I was thinking about releasing one last print for this messed up year, I didn’t have to look far: Personally I feel that my Flaum van Kreuzen (FvK) painting “The end of a superpower” is most likely the artwork that kind of captured 2020 the best, if you can put it like that.
Why? Well. My work process in the FvK project is one I describe as „irreversible decision making“, and “purely honest, unpretentious, unintentional and unfiltered" (you can read my full FvK artist statement here), so the result is never planned but influenced by chance and the time spend on the work itself and the things that happen etc.
“The end of a superpower” was only the fourth artwork of the project and the first for which I “constructed” a wooden base (= loosely connected some wood that was lying around the workshop in a totally random way). I smashed things, I tore things off again, I even threw parts of this in the fire pit, I painted layers on layers, rough and wild and in a punk rock kind of way, before I finally scratched the words of the title into the still wet spray paint and printing color because it reminded me of a well known flag. But the title was not just aimed at the self destruction of the United States under the idiot Donald Trump and his braindead minions. It is also a reference to what happened in general in our world this year, with the pandemic (at least initially) affecting everyone regardless of their position on the food chain or their role in suppressing the poor, exploiting capitalism and the general destruction of the world.
So yeah, there is a lot of anger and compassion in this one, after all, even though it was created in a flow that turned from experimental to free jazz to punk to hardcore death metal in a few days.
It is also one of these ominous artworks that a lot of collectors are drawn to when they are looking for a signature piece of an artist or a new series by one. Needless to say it was also one of these works in the show this September that could have been sold 10 times - after the red dot was sticking next to it. I personally believe there is some truth in this, but also a lot of psychology. I think a bunch of the other pieces in that exhibition should have registered as iconic as well (not just but “No monkey’s in this picture” for example is a very important work too).
So. All of this combined is why I felt this one should become a print.
And that you can buy online now at heliumcowboy as part of their Christmas-Print Special.
VERY IMPORTANT THOUGH: It is a timed edition. This means that you can only oder it until Dec 13 (Sunday) at midnight (german time). The amount of orders defines the total edition number. And after that deadline this work will NEVER EVER be reproduced or offered as any kind of edition ever again.
So. What are you waiting for:
Go get it!
Specifics:
Archival Pigment Print on 320 gsm Hahnemühle William Turner Fine Art Paper
36 x 39 cm
Signed and numbered
Print details:
